Adam Mazur wrote Salary provided for the future director of the CCA. I agree that 18 000 zł is astronomically much from each other I'll add that even immoral if one considers the disparity in the relative wages of curators for Poland, this "kultprotelariatu. And nothing will change until they change it, what Adam wrote: directors are active today - and very well, but lobbying on issues important for themselves and not in matters of increasing the status of the profession of curator in Poland. As for the serial curators, they prefer to gossip in the corner and did not jump anyone, afraid that, inconvenient ago and that other one (laughter takes, where it appears someone really) and lose possible opportunity to earn pennies here and there. Because if you criticize, then this will stop liking me, that I do not recommend that other one - and what will it be? Well, what is it?
Nothing will change in the wages of curators, if they do not believe in the value of their work. If they are not captured, they are not individual players, but a professional environment that is able to establish their own - that I will use outmoded word - work ethos, which include set of rules governing it, and consequently - to compete for their own interest. Curators, if they want to they were better, they must wake up and start to demand fair pay for work requiring high qualifications. I defend against denial of the value of their profession, before depreciation sometimes expressed by the prominent form of artistic life.
missing union trustees. Association, which would take up the profession to determine the status of a guardian for the cultural institutions. This relationship would define the minimum rates for work superintendent, would allow the preferential insurance premiums, which emboldened the phenomenon of freelancers in our country. It is necessary to write down the responsibilities trustee, guardian of the labor code - because the creative treatment of the competition in the Polish cultural institutions hit bottom. Wages equal pay cleaners since 1989, but responsibilities at niemiara, and it was from Sasa to riddle, which is the settlement of insurance by ordering the exhibition picture frames, and arranging transportation. For this example, conversations with the customs authorities in Switzerland, as someone responsible for it does not speak English. And so on.
institutions do not realize that if they want good, innovative, shocking, thought-provoking events, the trustees should be accountable to work in the library or laboratories. Not to mention the custom strewn subsidize trips, training or even buying books. Printing hand over protocols and agreements for artists by the curator does not translate into high quality exhibitions.
Therefore, in addition to demand transparency in cultural policy, 1% for culture, rights for artists in the clash with the authorities insist on measurable respect for the work of curators. Will pay it all.
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